罪与罚读后感英语200字汇编

The main character of the novel Crime and Punishment by Feodor Dostoevsky, Raskolnikov, is in reality two totally contradicting personalities. One part of him is the the intellectual. He is cold, unfeeling and inhumane. He exibits tremendous self-will. It is this side that enables him to commit the most terrible crime imaginable - taking another human life.
The other part of his personality is warm
And compassionate. This is the side of him that does charitable acts and fights out against the evil in his society.
The confusion in Raskolnikov"s soul is best seen when he tries to help a girl in the street who has been raped and left to the whims of anyone who finds her. Raskolnikov tries to protect her from the evil of the street, then stops himself when he is revulsed by the wickedness of his society. Why did I take it upon myself to interfere? Was it for me to try to help?

Let them eat one another alive - what is it to me? At one time Raskolnikov is both caring and concerned and yet he is able to push aside the whole affair by being totally indifferent. The goal of the novel is to make Raskolnikov into one character. Sonya helps bring Raskolnikov back into his emotional, humane side.
Through her suffering, she shows him that it is important to have a love for all humanity and that no person should ever be able to exist like a parasite off of another person. Porifery, the official investigating the crime, acts as the intellectual who shows Roskolnikov that all intellect must be used for the good of mankind.
Be it known, Crime and Punishment is a serious novel, or we may say, a serious and heavy psychological novel which stirs my heart profoundly, and substantially.
Yeah, I have to admit that this is a novel without mystery for the murderer is walking on the street day and night without any intention to avoid people except the warp that his suspicious frame of mind has produced in him. In this book, two women are supposed to be attractive with their virtues, composedness when suffering from pain and sadness, and of course with their beauty in soul.

Sonia, the lover, earns a life with her “dirty” career, or at least it is supposed to be dirty by people in general. What is she supposed to do? I should like to know. What can she do without her “capital”, that is her body, her young and beautiful body? I don’t know. The only thing I get from that era and country in that era, is desperation. And the most urgent thing is to find a exit for the family, A step-Mother, Two step sisters and A step bother, and A Father.
If I were put in that society, I would rather kill myself than lead a desperate life.
Another one, Dounia, sister. At the beginning, Dounia is supposed to impress us with her beauty, her knowledge, her behavior and her selflessness. To be frank, no women in this novel attract me. But, I appreciate her union with Razumihin, who may be the most selfless patron saint of Raskolnikov and his family. Razumihin is young, vigorous, virtuous and optimistic, regardless his empty-headed words and activities.

His love to Dounia is ardent and I know from the first moment when they meet that they will fall in love with each other, or at least they do not dislike each other, which is the basic factor for a marriage as said by Qian Zhongshu (钱钟书) in Fortress Besieged (《围城》).
Then, there are two mothers detailed in this novel. Pulcheria Alexandrovna, Raskolnikov’s mother, from whom, we can easily find the generous and selfless mother love, which is supposed to touch our heart greatly, what do you think? Another one is Katerina Ivanovna, Sonia’s step-mother. The most moving scene she plays is when she protects Sonia from the theft- slander.
In that case, what I see is her trust to Sonia and her deep love as well as penance confession. She is faint in protection. But her love is great and her heart is blood-dripping. I even have the feeling that I have heard the cracking sound of her heart, a sobbing cracking, which touches my heart and mind softly, but to a certainty.

I"d like to say more, maybe next time.
As for me,this is a novel of crime, a novel of love, a novel of duplicity, a novel of faithfulness, a novel of punishment, a novel of forgiveness, a novel of stupidness, a novel of intelligence, a novel of behavior, a novel of words.
【参考译文】
众所周知，犯罪与惩罚是一部严肃的小说，或者说，一部严肃而沉重的心理小说，深深地激起了我的心。
是的，我不得不承认，这是一本没有神秘的小说，因为凶手是在街上行走，白天和黑夜没有任何意图，以避免人，除了扭曲，他的可疑的心态产生了他。在这本书中，两个女人应该是有吸引力的美德，composedness遭受痛苦和悲伤的时候，当然与他们的心灵美。索尼亚，情人，赚取生活与她的“肮脏”的职业，或至少它应该是肮脏的人一般。她应该做什么?我想知道。没有她的“资本”，那是她的身体，她年轻美丽的身体，她能做什么?我不知道。我从那个时代和那个国家所得到的唯一的东西就是绝望。最紧急的.事情是为家里找到一个出口，一个继母，两步姐妹，一步一步，一个父亲。如果我被放在那个社会里，我宁愿自杀也不愿过着绝望的生活。
另一个Dounia，姐姐。在开始的时候，Dounia应该是她的美丽，给我们留下深刻的印象，她的知识，她和她的无私的行为。坦率地说，这本小说中没有女人吸引我。但是，我很欣赏她与Razumihin的结合，可能是Raskolnikov和他的家人最无私的守护神。这时是年轻，充满活力，善良和乐观，无论他浑浑噩噩单词和活动。他对Dounia的爱是热烈的，我知道从第一次见面时，他们会爱上对方，或者至少他们不讨厌彼此，这是婚姻的基本因素说钱钟书在围城。

然后，有两个母亲在这本小说详细。Pulcheria Alexandrovna，Raskolnikov的母亲，谁，我们可以很容易找到的慷慨和无私的母爱，这应该是我们的心联系很大，你怎么认为?另一个是Katerina Ivanovna，索尼亚的继母。她扮演的最动人的场面是当她保护索尼亚免受盗窃-诽谤。在这种情况下，我看到的是她对索尼亚的信任和她的爱以及忏悔忏悔。她在保护中昏倒了。但她的爱是伟大的，她的心是血滴。我甚至有这样的感觉：我听到了她那破碎的声音，一种呜咽的裂缝，它轻轻地触动着我的心和心，但却是确定的。
我想说的更多，也许下一次。
对我来说，这是一种新型的犯罪，是一种新型的爱，是一种新型的口是心非，一种忠诚，一种惩罚，一种宽容，一种愚蠢，一种智慧，一种行为，一种话语。
陀思妥耶夫斯基是俄国著名的批判现实主义作家。《罪与罚》是他的一部最深刻最富于现实意义的作品，是一部催人泪下的社会悲剧，是一部发人深省的哲理小说。他以犀利的笔触无情的剖析那个时代俄国的社会现实，深入地触及社会底层的各个角落，令人窒息的感到，走投无路就是小说的主旋律。种种社会的原因把穷苦无告的人们逼到左右为难、进退两难的困境。
故事发生在十九世纪六十年代彼得堡的贫民区，在一座公寓的斗室中住着一个穷困的大学生拉斯科尔尼科夫。他原本在法律系就学，但因困辍学，靠着母亲和妹妹从拮据的生活费中节省下来的钱维持生活，已经很久没有交房租了。房东停止供食，催租甚紧。这个时候他遇到了马尔美拉陀夫，他是个因失业而陷入绝境的人，他的长女索尼娅被迫当了街头妓女。尼科夫听了，他不想像这样任人宰割，他想要“证明”自己是一个“不平凡的人”。有一个心狠手辣放高li贷的老太婆，尼科夫计划着要杀了她。一晚，他趁他一个人在家的时候，闯进老太婆的房间，将其杀死。但是这时她的妹妹正好从外面赶来，尼科夫在慌乱之中也将其杀死。第二天清晨，他收到传票十分恐惧，当知道是追缴欠款才松了一口气。事发后，他病倒了，几天不省人事，后来并有所好转，但是内心却一直处于更痛苦的矛盾冲突中。

马尔梅拉多夫因车祸身亡，尼科夫将身边仅有的钱接济孤儿寡母。律师卢仁因为没有成功娶到尼科夫的妹妹而怀恨在心，想要诬陷索尼娅偷钱，但是尼科夫揭穿了他的无耻行为，因此索尼娅十分感激他。杀人事件之后，虽然他没有露出痕迹，他无法摆脱内心的`恐惧，感到美好的感情泯灭，是比法律惩罚更严厉的良心惩罚，他意识到他自己的“实验”失败了。他怀揣着痛苦的心情来找索尼娅，受到其宗教思想的感召，并且在索尼娅的劝说下，说出了犯罪真相和动机。在索尼娅的劝说下，向警方自首。他被判八年的苦役，来到了西伯利亚。不久之后，索尼娅也来到这里和他相聚。他们决心以忏悔的心情承受一切苦难，然后获得精神上的新生。
书中最让人津津乐道的是尼科夫犯罪前后的心里描写。他具有典型的双重人格，他心地善良、乐于助人、有天赋、正义感，但是同时拥有阴郁、孤僻的性格。他在马尔美拉陀夫被撞后，看见他们连葬礼的钱也拿不出来，又拿出母亲今天刚寄来的钱送给他们一家孤儿寡母。可是这些钱是他的母亲以养老金作抵押向别人借的，是他所有的钱了。但他又让人捉摸不透，他蔑视一切，有时候却非常注意细节。正是这种双重人格之间的激烈冲突，使得他不断动摇在对自己的“理论”：做“平凡的人”还是“不平凡的人”的肯定和否定之间。
“罪”是开头，只占了一章，后面写的全是“罚”。“罪”是贫困生活和触目皆是的社会不公。“罚”，他现实逃避惩罚，再来接受精神上的惩罚和折磨，也是指自首后的服刑。最后把“罚”导向救赎，从索尼娅一人认罪，到向广场上的人认罪，尼科夫灵魂摆脱煎熬，走向解脱和救赎。
通过尼克尔，作者揭露了资产阶级的“弱肉强食”原则对小资产接济知识份子的毒害，批判了这一原则的反人道主义的实质。
小说场面转换很快，场景的推移很迅速，主要情节过程只用了几天的时间，在浓缩的时空中容纳了丰富的思想内容，小说的时代色彩和政论色彩十分的鲜明。小说的结构方面，因果到历史叙述模式的退场和以对话和独白为中心的新的结构的建立。在对心理现实主义的推进，尽量不脱离人物自我意识以及最大限度挖掘人物潜意识的心理描写，以“复调”对“独白”的超越。